When mechanical problems occur,
Preferring to be on
the ground
Wishing you were in
the air
Is a philosophy that’s
sound,
Compared to being in
the air
Wishing you were on
the ground
When mechanical problems occur,
Preferring to be on
the ground
Wishing you were in
the air
Is a philosophy that’s
sound,
Compared to being in
the air
Wishing you were on
the ground
The Black Box flight recorder
Is not black! We have
been misled
Why would you call it
a “black box”
And then make it
orange instead
I flew on an infamous budget airline
Who charged for every
single item
Except for the bad
service, that was free,
Which was very generous
of them
When we reached cruising altitude
As we headed for
another continent
The cabin light dimmed
to enhance,
The appearance of our
flight attendant
I have a phobia about flying
And I won’t fly
Virgin, no way
After all why use an
airline
That doesn’t go all the
way?
As the 747 was falling
Uncontrollably from
the sky
A female passenger
ripped off her clothes
And began to cry
“Can someone make me
feel like a real woman?
Before I die”?
A man stood up and
took off his shirt
“Here iron this,” said
the guy
My daughter wants to be a pilot
At first, I was a
little alarmed
But after I thought
about it
My apprehension calmed
And I laughed at my
foolishness
I felt silly, oh what
a lark
After all it’s not as
if
She will have to
parallel park
When three out of four engines
Catastrophically fail
during flight
You will still have
enough power
To get you safely to
the crash site
No frills airlines will get your money
My fair means or by
foul
This may mean them
charging you
If you need a paper
towel
Or if decompression
occurs
And the oxygen mask is
hanging there
You will have to put a
pound coin in
Before it dispenses
any air
A vulture boarded
A jumbo jet
Carrying two dead
Marmoset
The stewardess said
"I'm sorry sir,
Only one carrion
Per passenger"
It has been said that the miracle of aviation
Is that the aeroplane
is nothing more in interpretation
Than 50000 components
flying in close formation
And hopefully all bound for the same destination
The world has become a smaller place
And it will never be a
big world again
But wherever you go
things are the same
I wish I could uninvent
the Aeroplane
The Black Box flight recorder
Is not black! We have been misled
Why would you call it a “black box”
And then make it orange instead
“Yankee Doodle Dandy” is a Musical Biographical Drama, Screenplay by Robert Buckner, Edmund Joseph, Julius J. Epstein and Philip G. Epstein Original Story by Robert Buckner, Music by George M. Cohan and Directed by Michael Curtiz.
It’s a biographical film about George M. Cohan (James Cagney) who
produced, directed, wrote and starred in his own musical shows for which he composed
his famous songs.
The film begins with his early days as a child-star in his family's vaudeville
show, all the way through to the time of his comeback at which he received a
medal from the president for his special contributions to the country.
Joan Leslie is delightful as his wife Mary, Walter Huston plays his father,
Richard Whorf is his partner Sam Harris, Irene Manning shines as Fay Templeton,
while the fine and varied supporting cast is completed by George Tobias, Rosemary
DeCamp, Jeanne Cagney, Frances Langford, George Barbier, S.Z. Sakall, Walter
Catlett, Douglas Croft and Eddie Foy Jr.
“The Strawberry Blonde” is a Musical Romantic Comedy, Screenplay by Julius J. Epstein and Philip G. Epstein, from the Play by James Hagan and Directed by Raoul Walsh.
It’s
the story of pugnacious but likable young Dentist, Biff Grimes (James Cagney),
around the turn-of-the-century, who lives with his ne'er-do-well father (Alan Hale), and they are both are noted
for their scrappy personalities and quick tempers.
However,
like every other young man in town, Biff has a crush on gorgeous and
flirtatious 'strawberry blonde' Virginia Brush (Rita Hayworth), who gets
catcalls every time she walks down the street, but he’s joined in his
admiration by his friends, Nick Pappalis (George Tobias), an immigrant Greek
barber, and Hugo Barnsfeld (Jack Carson), an unscrupulously ambitious young man
who doesn't let anything stand in the way of what he wants, including Virginia.
Meanwhile
Virginia’s friend Amy Lind (Olivia de Havilland) sets her cap at Biff.
“Once Upon a Time in America” is a Crime Drama, Screenplay by Leonardo Benvenuti, Piero De Bernardi, Enrico Medioli, Franco Arcalli, Franco Ferrini and Sergio Leone from the Novel by Harry Grey and Directed by Sergio Leone.
The
film chronicles the lives of best friends David “Noodles” Aaronson (Robert De
Niro) and Maximilian “Max” Bercovicz (James Woods) as they lead a group of Jewish
ghetto youths from being petty criminals to being prominent Jewish gangsters in
New York City's world of organized crime on the Lower East Side of Manhattan.
The
film explores themes of childhood friendships, love, lust, greed, betrayal,
loss and broken relationships.
The film benefits from a fine and varied supporting
cast including, Elizabeth
McGovern, Treat Williams, Tuesday Weld, Burt Young, Joe Pesci, William Forsythe
and Danny Aiello.
“The Cotton Club” is a Crime Drama, Screenplay by Mario Puzo, William Kennedy and Francis Ford Coppola and Directed by Francis Ford Coppola.
The movie is centred around The Cotton Club
in the late 1920s and early 30s Harlem, it’s a premium night club owned by Owney Madden (Bob Hoskins) and
Frenchy Demange (Fred Gwynne),
Featuring the very best jazz musicians,
singers and dancers and is frequented by the great and the good and the very not
so good of the underworld.
A musician named Dixie Dwyer (Richard Gere) begins working with mobsters
to advance his career but falls in love with Vera Cicero (Diane Lane) the
girlfriend of gangland kingpin Dutch Schultz (James Remar).
The film benefits from a fine and varied
supporting cast including, Gregory Hines, Lonette McKee, Nicolas Cage, Allen Garfield, Laurence Fishburne
and Maurice Hines.
“The Untouchables” is a Crime Drama, Written by David Mamet, suggested by a book by Oscar Fraley and Eliot Ness and Directed by Brian De Palma.
The story is set during the era of Prohibition in the United States,
when legendary crime boss Al Capone (Robert De Niro) rules Chicago with an iron
fist after building an empire with bootleg alcohol.
Prohibition Agent Eliot Ness (Kevin Costner) attempts to take Capone
down, but due to widespread corruption within the Windy City's police force
even his best efforts fail.
So because of the rampant corruption, he assembles an elite group of
lawmen, a small hand-picked team who won't be swayed by bribes or fear, to help
him, including Irish-American cop Jimmy Malone (Sean Connery), George Stone (Andy
Garcia) and Oscar Wallace (Charles Martin Smith) and with his team in place
Ness renewed his determination to bring Capone to justice.
“The Public Enemy” is a Crime Drama, Written by Kubec Glasmon, John Bright and Harvey F. Thew and Directed by William A. Wellman.
The
movie is the story of best friends and fellow gangsters, Tom Powers and Matt
Doyle (James Cagney and Edward Woods).
However,
their lives are frowned upon by Tom's straight-laced brother, Mike (Donald
Cook), and Matt's straight laced sister, Molly (Rita Flynn).
Nonetheless
the hoodlums rise up through the ranks of the Chicago underworld, from their teen-aged
years into young adulthood, and have an increasingly lucrative life,
bootlegging during the Prohibition era.
Tom
in particular becomes more and more brazen in what he is willing to do and
becomes more violent against those who stand in his way, disagree with him or
cross him, until a gangster's accidental death threatens to spark a bloody mob
war.
Also
in the line-up are Robert Emmett O'Connor as Paddy Ryan and Joan Blondell as
Mamie.
The most famous scene is of course, Cagney smashing
a grapefruit into the face Mae Clarke (Jean Harlow), but there is a lot more to
this film than that.
“The Roaring Twenties” is a Crime Drama, screenplay by Jerry Wald, Richard Macaulay and Robert Rossen, from a Story by Mark Hellinger and Directed by Raoul Walsh.
The
story begins in the dying moments of World War I and after the Armistice Lloyd
Hart (Jeffrey Lynn) goes back to practice law, former saloon keeper George Hally
(Humphrey Bogart) turns to bootlegging, and Eddie Bartlett (James Cagney)
becomes a cab driver.
Through
delivering bootleg liquor Eddie manages to build a fleet of cabs and hires Lloyd
as his lawyer and George and Eddie become partners in the flourishing rackets,
but love, loyalty and rivalry will ultimately bring everything crashing down.
Priscilla
Lane, Gladys George, Frank McHugh and Paul Kelly complete the line up in this
absolute classic