No Highway in the Sky, is a thriller written by
Nevil Shute and directed by Henry Koster, in which aeronautical engineer
Theodore Honey (James Stewart) is being sent to Labrador from London to examine
the wreckage of a new Reindeer class passenger plane designed by his company,
Rutland.
The absent-minded Honey boards the Reindeer class
plane, and only realizes once on board, that the plane is due to fail catastrophically
in a few hours after the plane is airborne when it has reached a specific
number of flying hours, namely the tail section will separate from the
fuselage, caused by metal fatigue after 1440 flying hours.
He decides to warn a member of the cabin crew,
Marjorie Corder (Glynis Johns), who in turn informs Captain Samuelson (Niall
MacGinnis) and Co-Pilot (Kenneth More).
When they land at Gander Airport the tail section
is thoroughly examined and deemed safe so Honey sabotages the plane by collapsing
the undercarriage, so it has to be grounded.
On his return to England, he must set about proving
his theory or face prosecution and dismissal and soon finds himself defending
his sanity in an English courtroom.
Fortunately, a sympathetic actress, Monica Teasdale
(Marlene Dietrich) and stewardess Marjorie Corder come to his defence.
As he is a widower with a 12-year-old daughter, Elspeth (Janette Scott), Monica and Marjorie take a liking to Mr Honey and Elspeth, and the latter is clearly lonely and isolated.
Monica Teasdale speaks to Honey's superiors on his
behalf, claiming she believes in him and Marjorie stays on with Honey and his
daughter as a nurse.
There are also a host of household names of the British Cinema who add to the tension and authenticity of the tale, Jack Hawkins, Elizabeth Allan, Ronald Squire, Dora Bryan, Felix Aylmer, Maurice Denham, Wilfrid Hyde-White and Bessie Love, to name a few.
James Stewart is simply wonderful as the boffin Mr.
Honey, and Marlene Dietrich, who casts a lasting light on proceedings, are the
stars in this film masterpiece and the supporting actors are on top of their
game, in particular Janette Scott as the daughter, and the wonderful Glynis
Johns in a typically faultless performance and the ever-reliable Jack Hawkins.
A film definitely worth seeing, well scripted, well
directed and well-acted, sadly, they don’t make movies like this anymore, and
probably never will again.
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