You were caught by your ex girlfriend
Chatting
up her best friend
But
the reason she’s your ex girlfriend
Is
you factor best friend
You were caught by your ex girlfriend
Chatting
up her best friend
But
the reason she’s your ex girlfriend
Is
you factor best friend
We watch on TV
As
the horror unfolds
It’s
Breakfast in America
Lunchtime
in England
We
watch as the towers burn
Great
plumes of smoke
Blackening
the sky
Flames
burn unchecked
Metal
buckles and windows break
Bodies
fall like rag dolls
Tumbling
earthward
And
hit the portico
We
watch the pictures
Dumbstruck
at this surreal scene
And
await news
Of
other flying bombs
We
watch through tear stung eyes
As
a tower falls
Collapsing
like a house of cards
Killing
the rescued and the rescuers
While
in Palestine they dance
The
women cheer
The
men shoot guns
The
children jump with joy
And
laughter rings round
In
the echoes of the gunfire
As
the innocent die
Palestine
Dance’s
I saw a large woman wearing
A
sweatshirt, it was a tight fit
With
the word 'Guess' printed on it
I
paused for a moment
Casting
a long gaze with my eyes
Then
I said too many pies?
My mother was a ventriloquist
Good
at throwing her voice rather
For
ten years I thought that the dog
Was
telling me to kill my father
“The Changeling” is a
horror drama, Screenplay by William Gray and Diana Maddox from a
story by Russell Hunter and Directed by Peter Medak.
When music professor and
composer John Russell (George
C. Scott) and his family are enjoying a
perfect family vacation, a freak automobile
accident claims the lives of his wife and daughter.
Consumed by grief, he is urged to
rent a huge nineteenth century house, and the
house seems to possess all the room John needs to reflect and
hopefully write music.
However it isn’t long before he realizes he
is not alone in the house as he shares it with the
spirit of a murdered child who has homed in on John's grief and
despair and uses him to uncover decades of silence and deceit.
With the help of Claire Norman (Trish
Van Devere), who helped John secure
the house, they set out to find the answers and the powerful
and devious man who guards them.
This is not a violent or “Kensington Gore”
type of horror, it scares with great story telling, eerie sounds
and dark corners and it uses pathos with great effect.
Who’s that lady?
What
Lola wants
When
the door opened
Where
love has gone
Why
do we love?
Railways are Masculine
You
can shout that from the steeple
Because
they use the same old lines
To
pick up people