REVERTING TO TYPE

 

Mucker's keep on mucking

Suckers keep on sucking

Truckers keep on trucking

Bikers keep on biking

Hikers keep on hiking

Walkers keep on walking

Stalkers keep on stalking

Talkers keep on talking

Speakers keep on speaking

Keepers keep on keeping

Leapers keep on leaping

Jumpers keep on jumping

Dumpers keep on dumping

Slumpers keep on slumping

Skivers keep on skiving

Divers keep on diving

Drivers keep on driving

Racers keep on racing

Pacers keep on pacing

Chasers keep on chasing

Runners keep on running

Punners keep on punning

Gunners keep on gunning

Shooter keep on shooting

Scooters keep on scooting

Looters keep on looting

Stealers keep on stealing

Healers keep on healing

Dealers keep on dealing

Traders keep on trading

Faders keep on fading

Raiders keep on raiding

Reachers keep on reaching

Teachers keep on teaching

Preachers keep on preaching

Darers keep on daring

Carers keep on caring

Sharers keep on sharing

Copers keep on coping

Hopers keep on hoping

Lopers keep on loping

Rovers keep on roving

Movers keep on moving

Lovers keep on loving

Zippers keep on zipping

Tippers keep on tipping

Slippers keep on slipping

Sliders keep on sliding

Riders keep on riding

Hiders keep on hiding

Shakers keep on shaking

Makers keep on making

Takers keep on taking

Needers keep on needing

Heeders keep on heeding

Leaders keep on lying

ALL-TIME CLASSIC MOVIE FAVOURITES – PSYCHO (1960)

“Psycho” is a horror thriller, Screenplay by Joseph Stefano, based on the Novel by Robert Bloch and Directed by Alfred Hitchcock.

 

The plot concerns a Phoenix secretary Marion Crane (Janet Leigh) who is dissatisfied with the way life has treated her, and unable legitimize her relationship with her married lover Sam Loomis (John Gavin), she embezzles $40,000 from one of her employer's client when she is entrusted with depositing the money at the bank.

Seeing it as an opportunity to start a new life, Marion leaves town and heads towards California, however fatigue sets in after getting caught in a storm, she gets off the main highway and pulls into the Bates Motel which is managed by a quiet young man called Norman (Anthony Perkins) who seems to be dominated by his mother, but is everything as it appears?

 

Vera Miles, Martin Balsam and John McIntire also shine in this classic Hitchcock masterpiece, a film not to be missed.

WHO WHAT WHEN WHERE WHY (15)

 

Who is killing the great chefs of Europe?

What a carve up

When the lights go on again

Where do we go from here?

Why?

LOVE

 

When undie’s pass the knees

And hands go into shirts

Breath comes in short pants

And love comes in spurts

NOTHING

 

When I was a young man

I started out with nothing

And now that I’m a senior

I still have most of it

CELEBRITY BIG BROTHER

 

It's hard to make a come back

Let me make that clear

It's hard to make a come back

When you haven't been anywhere.

SOLVENT

I’m not a wealthy man

But it's not hard to meet expenses

I find they're everywhere

Which make me very tense