OLD SOLDIERS WEARIED WITH AGE

 

Old soldiers wearied with age

Marching with faltering stride

Carry themselves with dignity

And wear the uniform with pride

HE SURVIVED MUSTARD GAS IN BATTLE

 

He survived mustard gas in battle,

He was pepper sprayed by a policeman

And the result of those traumatic events

He was rendered a seasoned veteran

ALL-TIME CLASSIC MOVIE FAVOURITES – GREEN FOR DANGER (1946)

 

“Green for Danger” is a crime thriller, based on the book by Christianna Brand and Directed by Sidney Gilliat.

The film is set in a rural English hospital during World War II, where a postman Joseph Higgins (Moore Marriott) dies on the operating table after which one of the theatre staff Sister Carter (Wendy Thompson) states publicly that Higgins was murdered and she has proof of who the murderer is, but before she can unmask the killer she is then murdered herself.

So the facetious and enigmatic Scotland Yard Inspector Cockrill (Alastair Sim) arrives to investigate and very soon suspects one of the doctors and nurses who were in the operating theatre during the surgery to be the assassin, but which one?

In this straightforwardly plotted mystery Leo Genn, Henry Edwards, Trevor Howard, Ronald Adam, Judy Campbell, Wendy Thompson, Rosamund John, Sally Gray and Megs Jenkins make up the medical contingent in a little gem from the heyday of British Cinema.

ALL-TIME CLASSIC MOVIE FAVOURITES – COTTAGE TO LET (1941)

 

“Cottage to Let” is a wartime comedy thriller, based on the play by Geoffrey Kerr, adapted by Anatole de Grunwald and J.O.C. Orton and Directed by Anthony Asquith.

The story is centred around a Scottish Estate during World War II with a cottage to let where the landowner is also a key British military inventor John Barrington (Leslie Banks), who is working to perfect a bomb sight with his assistant Alan Trently (Michael Wilding).

So it is no surprise that the cottage becomes a focus of attention when,  not only the new tenant Charles Dimble (Alastair Sim), but a London evacuee Ronald (George Cole) and a downed RAF fighter pilot Flt·Lieut. Perry (John Mills), all arrive at the same time, no thanks to the very scatterbrained Mrs. Barrington (Jeanne De Casalis).

The Germans are desperate to get their hands on the new bomb sight or its creator and someone either in the main house or the cottage is a Nazi agent and the only security is a Scotland Yard flatfoot posing as the Butler Evans (Wally Patch).

Other characters crucial to the tale are Mrs. Trimm (Muriel George), Dr. Truscott (Hay Petrie), Mrs. Stokes (Catherine Lacey) and the romantic interest comes from Helen Barrington (Carla Lehmann).

Cottage to Let is a very enjoyable film and should not be missed.

ALL-TIME CLASSIC MOVIE FAVOURITES – WENT THE DAY WELL? (1942)

 

“Went the Day Well?” is a World War II thriller, based on the story by Graham Greene and Directed by Alberto Cavalcanti.

The residents of an English village during WWII welcome a platoon of soldiers who are to be billeted with them, but the trusting residents eventually discover that the soldiers are really German paratroopers who proceed to hold the village captive in advance of a planned invasion.

The Germans block all the roads, so no one is allowed in or out, so the villagers must try to smuggle someone out to alert the outside world to the impending invasion.     

 

“Went the Day Well?” is one not to be missed and is very watchable with a large familiar cast that reads as a veritable who’s who of British Cinema in the 1930’s and 40’s including;

Leslie Banks, C.V. France, Valerie Taylor, Marie Lohr, Harry Fowler, Norman Pierce, Frank Lawton, Elizabeth Allan, Thora Hird, Muriel George, Patricia Hayes, Mervyn Johns, Hilda Bayley, Edward Rigby, Johnnie Schofield, Ellis Irving, Philippa Hiatt, Grace Arnold, Basil Sydney, David Farrar and John Slater.

ALL-TIME CLASSIC MOVIE FAVOURITES – IN WHICH WE SERVE (1942)

“In Which We Serve” is a World War II drama, written by Noël Coward   and Directed by Noël Coward and David Lean.

It tells the story of a British Naval Destroyer, H.M.S. Torrin, from its construction on the Clyde to its sinking during action in the Mediterranean Sea in World War II, and is told in flashbacks by the survivors as they cling to a life raft.

Among them are the ship's commanding officer Captain E.V. Kinross (Noël Coward), Ordinary Seaman Shorty Blake (John Mills), Chief Petty Officer Walter Hardy (Bernard Miles), Stoker (Richard Attenborough) and Flags (Michael Wilding).

But although the men have served valiantly and heroically in their time aboard the Torrin we also get to see the stoic and determined women behind them, Alix Kinross (Celia Johnson), Freda Lewis (Kay Walsh), Kath Hardy (Joyce Carey) and Maureen (Penelope Dudley Ward).

 

“In Which We Serve” is a shameless story about naval heroism and was based on Lord Mountbatten's wartime experiences and is a compelling and highly rated piece of British cinema history.

ALL-TIME CLASSIC MOVIE FAVOURITES – LOVE STORY (1944)

“Love Story” is a romantic drama Directed by Leslie Arliss based on the short story by J.W. Drawbell.

Concert pianist Lissa Campbell (Margaret Lockwood) learns that she has a serious heart condition after a spate of fainting spells, so she vows to enjoy what time she has left and gives up her music career.

On taking her first holiday for many years she meets Kit Firth (Stewart Granger) in Cornwall, a former pilot on medical leave after being having his sight impaired by an exploding bomb while on active service.

As a former mining engineer he fills his days searching the local mines and locates a rare mineral Britain desperately needs for the war effort, which is of interest to a Government appointee Tom Tanner (Tom Walls) who is staying at the same hotel and has struck up a friendship with Lissa.

Tom sends in a team of miners to begin production but following an explosion, Kit and several others are trapped, but due to his knowledge of the mine workings, he leads the others to safety.

But he has greater challenges ahead as he needs to undergo an operation, that will hopefully save his sight and Lissa must decide if she is to return to music or stay by his side or selflessly allow the relationship between Kit and long term friend Judy Martin (Patricia Roc) to come to fruition.

ALL-TIME CLASSIC MOVIE FAVOURITES – RANDOM HARVEST (1942)

 

“Random Harvest” is a romantic drama, based on James Hilton’s book of the same name and directed by Mervyn LeRoy.

Charles Rainier (Ronald Colman) a shell shocked veteran of World War I wanders out of the sanatorium and meets music hall star Paula Greer Garson who nurses him back to health and marry and settle happily into a quiet humble life, until he is involved in an accident which restores his original memories of a former life of wealth and privilege while erases all recollection of his post-war life.

So, a quiet and humble man disappears, and another man long missing as a casualty of war, turns up and claims his vast inheritance.

So, what of his devoted wife Paula, whom he no longer recognizes, what is she to do to reclaim her love? And will love conquer all in the end?

The film remains true to the Hilton novel and is one of the most beautiful and tender movies I have ever seen.

The acting is flawless, the cinematography memorable, the characterizations multi-dimensional, the scenery gorgeous and the peerless direction adds to the pleasure.

A strong supporting cast aids the story telling

Susan Peters as Kitty, Henry Travers as Dr Sims, Reginald Owen as Biffer, Bramwell Fletcher as Harrison and Philip Dorn as Dr Benet.

A film not to be missed.

ALL-TIME CLASSIC MOVIE FAVOURITES – THE LADY VANISHES (1938)

 

“The Lady Vanishes” is a thriller based on the story “The Wheel Spins” by Ethel Lina White and directed by Alfred Hitchcock.

While travelling in continental Europe, a rich young playgirl, Iris Matilda Henderson (Margaret Lockwood), her friends Blanche and Julie (Googie Withers and Sally Stewart) are stranded in the mountainous European country of Mandrika, along with the rest of the passengers on a scheduled train delayed for 24 by a day due to an avalanche, and as a result they are forced to spend the night in an overcrowded Inn.

The next day Iris says goodbye to her girlfriends before heading back to England to get married but she receives a blow to the head from a falling flower pot and a middle aged English governess named Miss Froy (Dame May Whitty) takes her under her wing, and they spend some time in the dining car before taking their seats in their compartment where Iris promptly falls asleep.

When she wakes up Miss Froy is nowhere to be seen and she knew she was on the train but none of the people who saw them together will corroborate her story and she is universally dismissed and a possible concussion is cited as the cause.

Only one person is prepared to humour her, an Englishman named Gilbert Redman (Michael Redgrave), a musicologist, but will his help be enough to find Miss Froy?

 

As you would expect with a Hitchcock Classic there is a depth of quality in the cast to drive the story, Cecil Parker and Linden Travers as the Todhunter’s, Basil Radford and Naunton Wayne as Charters and Caldicott, Catherine Lacy as the Nun and Mary Clare as Baroness Athona all contribute to a great film.

ALL-TIME CLASSIC MOVIE FAVOURITES – MRS. MINIVER (1942)

 

“Mrs. Miniver” is a romantic war drama based on the story by Jan Struther and directed by William Wyler.

It tells the story of the Miniver’s, an English middle-class family, as they experience life in the first months of World War II.

The film opens with Mrs Miniver (Greer Garson) returning on the train to the idyllic village where she lives after a shopping trip to London and is desperately trying to figure out how to tell her husband Clem (Walter Pidgeon) she has squandered far too much on a frivolous new hat, although she needn’t have worried because Clem was in a similar position as he’d bought himself a new car.

When she disembarks from the train, the stationmaster, Mr. Ballard (Henry Travers), asks Mrs Miniver’s permission to name a rose he's cultivated after her for the flower show, and her gracelful acceptance brings about her first encounter with Lady Beldon (Dame May Whitty) the formidable Lady of the Manor.

However it was not to be the last, because their oldest son, Vin (Richard Ney), having left Oxford for the RAF, courts and marries Lady Beldon's granddaughter Carol (Teresa Wright).

But war touched the people of the village, Clem took his small boat to Dunkirk and his wife captured a downed German Pilot and again more tragically when a bad raid took the lives of several villagers on the day of the flower show, including newlywed Carol.

The film won a host of Oscars including Best Picture, Best Actress for Greer Garson, Best Supporting Actress for Teresa Wright, Best Director for William Wyler, and all well deserved.
While there were also other nominations, Walter Pidgeon for Best Actor, Henry Travers for Best Supporting Actor and Dame May Witty for Best Supporting Actress, but lost to her fellow cast member Teresa Wright.
I think it was the penultimate scene between Greer Garson and Teresa Wright that won them both Oscars.

But judge for yourselves, I would suggest that you have to see it, I can't say more than that; the hardest of hearts will be moved.

ALL-TIME CLASSIC MOVIE FAVOURITES – THE DAWN PATROL (1938)

 

“Dawn Patrol” is a war drama based on the story by John Monk Saunders and Directed by Edmund Goulding.

In 1915 in France, Major Brand (Basil Rathbone) has the burden of command of the 39th Squadron of the Royal Flying Corps sending pilots to almost certain death every day.

The young airmen go up daily in bullet-riddled “crates” and the casualty rate is appalling, but Brand can't make the high command at headquarters see reason, and if that was not enough insubordinate air ace Captain Courtney (Errol Flynn) and his sidekick Scott (David Niven) are constant thorns in Brand's side.

The film is a very gritty and accurate look at life, and death, in a Royal Flying Corps fighter squadron and has a strong supporting cast including, Donald Crisp, Melville Cooper, Barry Fitzgerald, Carl Esmond, Peter Willes and Morton Lowry.

MILITARY MIX

THE TREATY

The eleventh hour
The T’s were crossed
And the I’s were dotted
The eleventh day
Books were balanced
Of the butchers tally
The eleventh month
Seeds were sown
For the Second World War
By the French at Versailles

SAVIORS

When soldiers stand neath flags unfurled
Before going to war to do the biz
Be sure before they’re sent to save the world
They re happy with the world the way it is

SHIP RAGE

The silence of a foggy night in the fall
Was shattered suddenly by a radio call
“Unknown vessel divert your course please
And steer to the north by fifteen degrees
Recommend you make this correction
That we might avoid a head on collision”
The reply came “Divert YOUR course please
And steer to the south by fifteen degrees
Recommend you make this correction
That we might avoid a head on collision”
“This is the Captain of the USS Codfish
I say again, divert YOUR course forthwith”
The Reply came back “No, I say again
You must divert you course you cant remain”
This is the USS Codfish not a garbage scow
We’re a large warship divert your course now!“
I don’t care whether you are large or small”
“This is a lighthouse” Said the reply “your call”

BANG YOUR DEAD

A nuclear war, can they say
Ruin your whole bloody day
For in any atomic hostility
All men are cremated equally

HERE ENDETH THE FIRST LESSON

I think war is probably God's way
Of teaching us all a lesson I’d say
But it won’t be a lesson in theology
Its more likely a to be in geography

THE MILITARY WAY

The problem with taking the easy way out is that the enemy has already mined it
Having someone take a shot at you, and miss is the most satisfying feeling
Every retreat is a tactical withdrawal
Make sure you are not conspicuous in the combat zone it draws fire
Incoming fire has the right of way
Learn never to volunteer for anything
If your advance is going well, you are walking into an ambush
The only time suppressive fire works is when it is used on abandoned positions
Accurate incoming enemy fire is only surpassed by incoming friendly fire
Remember friendly fire ain't
You know the quartermaster has only two sizes, too large and too small
When you can be seen by your sergeant you, can be seen by the enemy
Any time you are in advance of your own positions, the artillery will fall short
You know that no battle plan ever survives contact with the enemy